![]() ![]() The plain but very literary writing and simplicity of storytelling, combined exciting adventures and a moderate length make this book well-suited to middle-grade readers. Gone, for the most part, is the heavy dose of Christian symbolism, replaced by a hodgepodge of mythological elements, including Bacchus and his Maenads, nature spirits, and a river god. The novel is structured as two parallel, and eventually intersecting, stories: one of Caspian escaping from, and rebelling against, his evil uncle the other of the Pevensies rediscovering a Narnia that has changed a great deal in the centuries since their last visit. ![]() Edmund has learned his lessons well, and is stalwart and kind, while Susan - well, Susan mostly grumbles, and one can see Lewis already setting up her fall from grace, which occurs in the last book. ![]() Once again Lucy is the heroine of heart and spirit, while Peter is the hero of the sword. Shaw’s production of Prince Caspian somewhat addresses this by having Fiona Byrne, in character as Caspian’s Tutor ‘The Doctor,’ explain the lay of the land. PRINCE CASPIAN is an altogether simpler and more straightforward adventure tale than its predecessor, and far simpler than most modern fantasies. There are seven books in the Narnia series it feels like a lost opportunity doing them out of order like this. ![]()
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